The American Music Center was a non-profit organization which aimed to promote the creating, performing, and enjoying of new American music. The center's mandate was to make the music of its composer members available to potential performers and conductors, and to act as a clearinghouse for the dissemination of information vital to its membership.
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Until that time, American composers had not been able to firmly establish themselves or their music as a unique American commodity that was of both high quality and in great demand. As their music came of age, these composers began to organize themselves into a substantial power base that would not only get their music heard but also make assurances for appropriate representation, promotion and compensation.
The American Music Center was one of the leading organizations in this campaign. A partnership with the New York Public Library, initiated in led to cooperative cataloging initiatives and eventually to an agreement that the center's entire collection of scores would over time be transferred to the library. The American Music Center's score library, now housed at the Music Division, numbered close to 60, items. While the center's physical collection of printed and recorded music was the backbone of this remarkable institution, the mandate and activities of the center were relevant not only to music scholars, but to those in other areas of research.
The center's activities have been responsible for creating a vast worldwide cultural resource for the dissemination of American music. Approximately 60, orchestral, chamber, solo instrumental, vocal and choral scores, solo parts and libretti placed in the AMC library by their composer members. Virtually all genres of notated music are represented in the collection, including many forms of orchestral concert music overtures, symphonies, suites, etc.
The collection includes many published scores. A large portion of these are self-published reproductions of composer's manuscripts. Conventionally notated scores predominate, but there are also many representatives of various forms of graphic notation. The American Music Center collection of published scores are arranged in three series:.
E Contact. D Digitized. American Music Center collection of published scores. Collection Overview Scope and arrangement Key terms Using the collection. Call number JPB Physical description linear feet boxes Language English; Texts are primarily in English, but many of the scores of opera, solo vocal and choral music are in their original language. Please check the collection records in the NYPL's online catalog for detailed location information. Series I: Composers. The lord's prayer : for high, medium or low voice and piano. Aaronson, Dustin L.
Vocalise in C major. Abbinanti, Frank. Four songs : for soprano and orchestra. Abdelaziz, Ashraf F. Overture no. Early pieces. Music for brass and timp. Music for flutes. Sonata concertante for violin and piano. String quartet. Abdel-Gawad, Riad, Raqsa bel kamangan : for violin and cello. Taqaseem for chamber orchestra. Quattro canti 1. Quattro canti 2. Quattro canti 3. Quattro canti 4. Abrahamsson, Arie Al. A boy's song.
Abramson, Robert M. Ballet for orchestra. The bells of France. Evening song : for violin or flute and piano. Nightpiece : for flute and drums. Nobody at home. Small set : for piano. Three elegies from Walt Whitman.
Three songs resung. Two nocturnes : for viola and piano. Abrams, Muhal Richard, Odyssey of King. Transversion I , op. Adair, James, Concerto da camera : flute, harp and strings. Dialogue : flute and violin. Dialogue : four French horns and two trumpets. Dialogue : violin and cello. Adam, Claus, Concerto for violoncello and orchestra. Jack and Jill and Bill and Jane.
Sonata for piano. String quartet There's a nation. Nocturne for Alicia. Adams, Daniel, Aftermath: eight vignettes on the effects of Hurricane Andrew. Alchemy : for viola solo. Ambience : for percussion ensemble. Archipelago : for flute, clarinet, bassoon, trumpet, violin, cello. Consorts : for two percussionists and large chamber ensemble with amplified strings and electric piano. Derivatives : for brass quintet.varefamily.com/includes/110/death-records-timothy-raines-arkansas.php
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Dialogue : for two violins. Dimensions polyphonic : for alto flute in G, violin, cello and percussion one player. Focus : for bassoon and vibraphone.
- While You Were Dead (Black Fire Book 1).
- See Amid The Winter's Snow - easy version - Score Sheet Music by John Goss.
- Educator's Discount.
- Q - A Thriller.
- See, Amid the Winter’s Snow, for Clarinet Choir;
- Navigation menu;
- Romas Ninth Avenue Deli.
The glass bead game : for piano solo. Lake Surprise : for violin, cello and piano. Stratum : for marimba quartet. Three subtropical vistas : for mezzo soprano and percussion. Two orchestral etudes. Adams, John, The black gondola. Chamber symphony. China gates : for piano. Common tones in simple time : music for orchestra. The death of Klinghoffer. El Dorado.
Fearful symmetries. Gnarly buttons : for clarinet and small orchestra.
The Plastic Panic
Grand pianola music. Harmonium : for chorus and orchestra. I was looking at the ceiling and then I saw the sky. John's book of alleged dances. Nixon in China. Phrygian gates : for piano.
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Road movies : for violin and piano. Shaker loops. Two fanfares for orchestra. Violin concerto. The wound-dresser. Adams, John Luther, Always very soft : for cello, 3 percussion.